Photography was born between science and imagination. Before becoming a language of evidence and documentation, it belonged to a longer history of light, apparition, illusion and the desire to make visible what escapes us.

My practice returns to this unresolved territory.

Through photographic objects, altered surfaces, installations and constructed spaces, I revisit photography as a field where different possibilities of seeing and believing remain open.

Working from the material and historical conditions of photography, I am interested in the moments where certainty gives way to uncertainty, where an image is not only proof of the world but a reflection of how we imagine it.